Allow me to draw your attention to a comment by Peter Travers in reviewing The Prestige:

Nolan directs the film exactly like a great trick, so you want to see it again the second it’s over. I’d call that wicked clever.

And now this, from Scott Foundas on Casino Royale:

What’s appealing about Bond is precisely its unhip classicism — its promise of clean, crisp excitement delivered without the interference of whiplash-inducing camera pyrotechnics, attention-deficient editing patterns, gratuitous color tinting and/or ear-splitting rock ballads.

Both of them quite accurate in my opinion.